PART VII
Bill & Sue-On Hillman Reflections
Companion
Page to PART II: First Nations / Metis and Franco-Manitoba
INTRO
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Stage
Many of the items on display in the exhibits
bring back personal memories of the Manitoba
Music scene
through the last 50 years.
PART III |
with Reference Links |
HILLMAN SCRAPBOOKS |
Andy Dejarlis
|
Almost all
of the many fiddlers we've worked with -- Barry Forman, Gordie Carnahan,
Lenny Fairchuck, Al Cherney, talent contestants, etc. -- have had at least
one
Andy Dejarlis number in their repertoires.
We have crossed paths with Reg Bouvette quite a few times on Awards Ceremonies and Playhouse Theatre Shows. He recorded for the Sunshine label. In 2001, from January through April, I flew into Pukatawagan every week to teach Brandon University classes. While there I met and jammed with many northern musicians - some of whom had been featured on the the Puk Talent Search CD which was also released on Sunshine Records. The most popular song on the CD was The Pukatawagan Song by Sidney Castel and was high on the NCI Radio playlist for many months. While up there I wrote my own Puk song: The Pukatawalkin Blues. Sidney was a real character and I invited him to my "bear pit" classes numerous times where we swapped tall tales, songs and guitar licks in front of my BU Communications and Journalism classes. Near the end of my term my students were excited to hear the NCI ads for the Bobby Curtola Sock Hop Reunion show I was doing with Bobby. He gave me 30 complimentary tickets for them and they started a blitz of fundraising activities to raise enough money to travel to Brandon to see the show. |
Pukatawagan Talent Search Winners |
Ray St. Germain. . |
Ray St. Germain came to our Bend Theatre in Strathclair a number of times when I was a kid. He was part of the Hal Lonepine / Betty Cody Western show. They played shows on a Winnipeg radio station promoting their live appearances around the country in the mid-late '50s. Ray was a skinny teenage Elvis. . . and a really good one. I was/am a tremendous Elvis fan so Ray's appearance was the highlight of the show for me. The other exciting part of the show was the backup guitarist: Hal Lonepine, Jr. -- later known as Lenny Breau, one of the greatest guitarists ever. I was just starting guitar at that time so I was mesmerized by his amazing Chet Atkins finger style playing on a Gretsch guitar. My first "big name" guitar HAD to be a Gretsch |
Strathclair's Bend Theatre - Late '50s . Ray St. Germain and Lenny Breau with the Hal Lone Pine Show | Bill Hillman and his Gretsch . |
Years later I don't believe that Ray ever knew how thrilling it was for us to join him in the running, numerous times, for the MACA Entertainers of the Year Award. It's been fascinating to follow his incredible career through the years: hit records, TV and radio, tours, concerts, songswriting, commercials, and DJ work. In recent years we finally appeared on the same bill for the Bobby Curtola Rock 'n' Roll Reunion Show at Brandon's Keystone Convention Complex. The show was doubly rewarding as Sue-On and I got together with The Dovermen, our old '60s rock band that toured with Bobby way back then, and backed him for his show. Coincidentally, I remember buying Ray's and Bobby's first hit singles in same month back in the '50s. |
Bobby Curtola Sock Hop Reunion ~ Brandon Ray St. Germain | Bobby Curtola | Dovermen: Bill Hillman - Warren Hannay - John Bishop - Sue-On Hillman . |
Errol Ranville ~ C-Weed |
'70s and
'80s the Winnipeg Country Music scene was made up mainly of Native and
Metis artists and we appeared on Winnipeg stages with most of them.
We also shared the bill on many Opry North radio shows broadcast nation-wide from the Playhouse Theatre. We hired C-Weed and a few other Winnipeg acts to play at the Boggy Creek Festival. These artists dominated the Award Shows. See the MACA programme:
|
5th Annual MACA Awards '81 |
Lucille Starr's
scarlet top is the centrepiece of the Franco-Manitoba exhibit and it was
of special interest to Sue-On who has a closet full of Chinese silk and
satin costumes. Sadly she hasn't been able to wear these on stage as much
as she would like because they aren't always appropriate for four-hour
heavy drum sessions.
We love Lucille's emotional version of The French Song and it has been one of our most popular stage songs. Sue-On has her own style of doing the song and it's different enough that we didn't hesitate to include it on our third album. |
HILLMAN SITES REFERENCED ON THIS
PAGE
BILL and SUE-ON HILLMAN: A 50-YEAR
MUSICAL ODYSSEY
www.hillmanweb.com/book/gigs
Strathclair
Bend Theatre
Companion
Page to PART II: First Nations / Metis and Franco-Manitoba
Pukatawagan
Talent Search Winners CD on the Sunshine Label
Pukatawagan
Puk
Social
The
Pukatawalkin Blues
Sidney
Castel in the BU "Bear Pit" Classes
Ray
St. Germain ~ '50s ~ Bend Theatre in Strathclair
Gretsch
Nashville Guitar
MACA
Entertainers of the Year Award
Bobby
Curtola: Honorary Chief
Rock
'n' Roll Reunion Show
The
Dovermen
The
French Song by Sue-On
Hillman
Album No. 3
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NEXT: HILLMAN MEMORIES AND COMMENTS
ON
SHAKIN' ALL OVER PART III
WebMaster:
Bill Hillman
Bill
& Sue-On Hillman Eclectic Studio
hillmanweb.com
Brandon, Manitoba, Canada
Copyright 2010/2017 The Manitoba Museum and Bill Hillman