John Lennon and Yoko Ono, at the Dakota, in New York
City.
Photographer Kishin Shinoyama on his method: “I didn’t give them
any direction as far as posing, apart from the kiss.
John and Yoko let me shoot wherever they went, whatever they did—because
of this I didn’t need to [guide them].”
Yoko and John in Central Park.
“Reflecting on the images now, I still find
them all very beautiful,
but the photos in Central Park are particularly
special for me,” Shinoyama says.
Yoko and John, photographed
in N.Y.C.
Shinoyama took almost 800 photographs of the
couple in the five days,
documenting as much as he could. In the book,
Yoko recounts that there wasn’t one she didn’t like.
John, photographed with his
son Sean in their living room at the Dakota.
“They were obviously a tightly knit family,”
Shinoyama says.
John and Yoko, taking a stroll in N.Y.C.
three months before he was assassinated on December 8, 1980.
“When I look back at the photos from that time,
I believe I was recording them at their happiest,” the photographer
recalls.
John in the Hit Factory, where he and Yoko recorded
Double Fantasy.
“When I see the pictures, that music still plays in my mind,” Shinomaya
says.
The artists working in the studio on Double Fantasy.
Yoko, taking a break from recording.
“Yoko wanted to document their creative process and
the details of their life together during this period,” Shinoyama
recalls.
John takes a moment to relax.
“Apparently John never saw all the photos; they were both so busy
after the shoot,” Shinoyama explains
. “Of course he loved the photo of their kiss, [which] became the
album cover.
It was his happiest moment, and I’m sure he would think they were
beautiful.”
Yoko on 72nd Street in N.Y.C., September 1980.
“The book is a continuation of our collaboration from years ago,”
Shinoyama says.
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